Friday, 26 June 2020

Goodreads feminist reviews - Mulan's Adventure Journal


Comic: Disney - Mulan's Adventure Journal: The Palace of Secrets, by Rhona Cleary (author), Agnese Innocente, Gaia Cardinally, and Ilaria Urbinati (illustrators).

5/5 Goodreads review also here. I really liked this comic, especially the beautiful art style and the frequent feminist points in the plot :D

+1 An all-female team of writer and artists!
+1 The graphic book alternates between comic-style and Mulan's thoughts and narration in diary form, often accompanied by lovely Chinese-style illustrations.

+1 Enjoyable, engaging plot where Mulan is summoned to the Imperial City in order to help unmask a cult member in the court plotting to assassinate the Emperor. As well as gifting us with 24/7 feminist commentary, Mulan has her badass active moments, from taking out a snake in the Emperor's chambers, to actively searching for the spy in the Palace, fighting her way out of a cult meeting, and avoiding the Emperor's assassination with the help of Grandma Fa and Shang. Another woman in the plot also shows fighting training, which was a nice touch.
+1 Female bonding/Bechdel and secondary female characters: Badass Grandma Fa, who thinks it's high time she travelled and had an exciting time xD, joins Mulan in her trip to the Imperial Palace, and ends up having an important role in the plot in order to prevent the Emperor's assassination - and also chats with the Emperor about her passion for herbs and medicine xD I would have liked to see a bit more interaction between Grandma Fa and Mulan, but what we got was lovely nonetheless.
In this house we stan Grandma Fa :D xD
Mulan also bonds with other women in the palace, such as with her handmaiden Yu, and with the Emperor's Cousin, Li Mei.

 +-1 I'm not the biggest fan of monarchy and the class system, but it is nice to see that the Emperor is trying to prevent further wars, and the final antagonist, who turns out to be (spoiler) the Emperor's cousin herself, Li Me (whose son was killed in the war against the Huns), is criticized for her motivations based on vengeance and the desire for war. I also liked the grey-morality and female bonding from Mulan's part when it comes to judging the motivations and mindset of the antagonist, as she disagrees with her mindset, but at the same time can also understand her motivations and sympathizes with her situation.

+-1 We see no women at court in positions of power and only see them as courtiers, noblewomen who have to gain power and influence by scheming behind everyone's backs, and handmaidens. But in spite of this clearly male-dominated court and society, the men in this story (the Emperor, Shang) generally appreciate and respect the abilities of women like Mulan and Grandma Fa, who at some point are offered the positions of the Emperor's Chief Counsellor and the Chief Medical Officer, respectively. Also, Counsellor Chi Fu finally catches up and gains respect and appreciation for the warrior training and intelligence of Mulan, and both of them become friends. Mulan is also honoured as a heroine and warrior in the Imperial City, as she finds out when she arrives :D


+1 The feminist points shown throughout the story are top-notch. Mulan offers a continuous critique of gender roles, compulsory femininity (especially regarding encumbering traditionally female clothing), and the isolation of women.
 
-In spite of having been able to gain fame as a warrior and a heroine, Mulan is still very much constrained by the traditional gender roles of the patriarchal society she's in, her validity still limited to her appearance in many ways, and expected to conform to traditional femininity every time there's a formal event or a party - Even when her mission in the Imperial Palace is one of a trained warrior seeking to unmask an assassin, she's repeatedly asked to wear encumbering formal-wear and follow strict etiquette she cannot get accustomed to.
Like Merida, Mulan is not especially fond of what she sees as uncomfortable clothing (which happens to coincide with traditionally female clothing, as it usually does :S), and would much rather wear her comfy dresses and pant outfits:
  I love how this story repeatedly offers a critique of how female wear is so often uncomfortable, as well as particularly limiting when paired with traditional gender roles. There's nothing wrong with loving a dress and that can be paired with glorious feminism as well (Elsa is proof of that), but it's also very important to offer a social critique of this because uncomfortable female wear is still compulsory and strictly socialized in more than one job and context today.

And she may be a woman on a mission, but my girl Mulan be questioning societal rules and expectations every ten seconds in this story, dropping feminist critique like this every time she can, including but no limited to complaining about uncomfortable shoes before the Emperor after fighting off several cult members on her own and jumping off a roof xD

-Mulan also tackles gendered socialization and the isolation of women, commenting on how she and other women feel stifled and caged (in her home, in the Palace, etc), as women are traditionally more confined, limited and isolated in a society with traditional gender roles. Mulan starts the story saying that, while she's glad to be home with her family in the events after the war against the Huns, she can't help to feel more stifled and dissatisfied with her current lifestyle, back to basically following traditional gender roles, in spite of having gained fame and recognition in the Imperial City. She misses how subverting those roles meant a more active life for her, more 'full of purpose', which suits her personality more.
 
 Also, while she appreciates the luxuries of the Imperial Palace, Mulan also sees the place as a gilded cage. While bonding with Li Mei, she notices how the noblewoman seems to lead a pretty isolated life, with not many people to talk to, and worries about her being too lonely leading a boring life inside the Palace.

+-1 Relationship with Shang: I personally hate how they portrayed the dynamic between Shang and Mulan in Mulan 2 (which doesn't really exist for me, I'm sorry, nope). I don't like everything about Shang in Mulan 1, but in the sequel I remember him being incredibly entitled, seist, insufferable and controlling. Fortunately, i can get behind the dynamic they're having in this comic more easily. They communicate way more, Shang seems to appreciate Mulan's badassery without feeling threatened, and Mulan doesn't stop doing stuff just because she also likes him and is getting into a relationship with him (not like in Mulan 2 ahem).

Of course, regarding the last point, the dynamic would probably change at least a bit because of how the marriage system and mindset usually works legally, societally and mentally in a patriarchal society (aka Mulan 2 :S), unless the bloke in question were a pretty deconstructed ally by then.


The part that I liked the least about the dynamic in the story was the fact that Shang used the entitled 'I need to protect the woman' patriarchal chivalry card for a while by masquerading as a stable boy in order to 'protect' Mulan from the assassination plot (without knowing she was very much aware and actually in charge of the operation to unmask the cult member lol xD). The dynamic was back to being reasonably good once they met and communicated, working together to prevent the assassination while also keeping Mulan in the spotlight. But it was still a bit grating to see the unnecessary deceit, as he might have ignored the role of Mulan in all this, but he could also have actually told her she was potentially in danger in the first place if he was worried about her safety, instead of 'looking out for her' in a pretty patronizing and stalker-ish way without telling her anything :S.

And bonus moment of Mulan representing all us introverts 100% accurately xDD

And finally, the IG storytime with more or less the same text content, but a little bit more info on the plot points (also here):

Saturday, 13 June 2020

Goodreads feminist reviews - Pollyanna

Book: Pollyanna, by Eleanor H. Porter

2/5 Goodreads review also here


I read this book a least twice when I was little, an abridged Spanish version, but this is the first time I've read the full English version.
All still from the 1960 movie starring Hayley Mills
-1 It's a pity to read books with a female protagonist who interacts with at least three female secondary characters (+1) when said protagonist turns out to be a full on enabler of the system :S Interactions between women often revolve around physical appearance, children, or relationships with men.

-1 Pollyanna, a cheerful 12-ten-old orphan girl who wants to see the silver lining and be *glad* about it in everything she encounters, actually tends to support the statu quo in everything: From reducing women to their attractiveness and relationships; to always supporting religion and other normative societal systems such as (heteronormative) marriage, nuclear family and gender roles; to upholding the class system and white privilege.
She also uses her fair share of ableism mixed with a healthy dose of internalized sexism, disguised as (pretty patronizing) optimism. For example, she claims that it's normal that her Aunt Polly should be prettier and try to look more attractive than the bedridden Mrs Snow, because more people will be looking at her. Right after that, she claims that she feels sorry for 'ugly' or 'less attractive' people and feels happier when looking at 'pretty folks'.
-1 The often unsolicited, self-righteous ultra optimism in Pollyanna often frustrated me. Not only because she tends to use problematic comparisons to teach people how to be glad, such as 'be glad that you can do something that other people can't' (because they are ill, for example!), or 'be glad that you are prettier than others'. I also found it grating because it's easy to tell someone who's going through something bad that 'it could be worse' or 'there's always something good in everything' until you experience that yourself, and then it's usually not that easy (as she finds out when she herself suffers an accident :S). I mean, I do think it's interesting and useful to try to find silver linings and the positive side of things, but we also need an (empathetic) balance to go with it all.
-1 Aunt Polly is reduced to the Patriarchal trope of the embittered 40-year-old spinster who needs a relationship with a man and a child to care for to be happy. Also, everyone keeps criticizing and/or validating her appearance (because, as we all know, what else is there). I found it particularly grating that houseworker Nancy thought it ridiculous that Polly had been 'very attractive when she was younger' or indeed, that she "still" was - Given that the idea that she has of her is that of an embittered spinster who's never happy about anything, and I suppose good looks are contradictory with being single because a man would have wanted you otherwise :S
-1 People who are neither white, American or Christian are consistently referred to as 'heathens' in a very offensive and patronizing way, mostly by Pollyanna herself. Pollyanna also bemoans the fact that no one wants to adopt local orphan Jimmy Bean because all the Aid Ladies are 'obsessed' with helping 'little boys in India' (and as we all know, yes, all white people are obsessed with helping and/or adopting poor poc children, sure they are :S).
-1 The class structure is never challenged. Houseworker Nancy and gardener Tom are constant secondary characters who always remain in their place and support the plots of the richer, higher-class characters. There's a very patronizing religious-based mindset about helping poor 'heathen' people as charity.
The adoption of orphan Jimmy Bean is probably more central to the story as it reaffirms nuclear family and how men 'need a woman's hand and heart' and people need 'a child's presence' to find love and happiness (and stop being embittered spinsters, or introverted gruff bachelors who live alone and pine over Pollyanna's mother Snape-style while insisting on adopting the child in a decidedly more creepy than romantic or cute way).

Some IG stories about it with some quotes: