Monday, 18 October 2021

Goodreads feminist reviews - The Polar Bear Piper (Frozen short story)

 

Book: The Polar Bear Piper, by Erica David


   3-3.5/5. Goodreads review also here. This review contains some minimal spoilers.

+-1 This was, in my opinion, an improvement on the other two stories from this series I've read regarding its less blatant problematic treatment of class and monarchy. Disney always tends to sugarcoat these topics in a way that I consider pretty problematic, and there are instances of this here as well, but see for example this other review or this one of one of the other stories for a particularly horrible way to handle these topics 😬. The villagers still fawn over the royals in this story over every decision they make, and gift them stuff for helping them when it should be part of Elsa's job (and Anna and Elsa would be the last people who would need to be gifted food, to be honest 🙄 xD), but all in all it all didn't make me roll my eyes every page of the story because it wasn't as heavy-handed, and thank goodness for that.

+1 Characterization and plot are still too a bit too 2D for my particular taste (I'm also bearing in mind that I'm reading a children's series, granted xD), but Elsa and Anna were characterized here way better too, and more in line of their movie personas, I think. In other stories I've read of the series, they can range from out-of-character clueless (in A Warm Welcome they don't even know how climate works, I mean, wtf
🤣), to extremely obnoxious in their entitlement (especially Anna), but I liked them here quite a lot, thankfully xD. 

I liked that Anna is the most proactive one in this story, and goes sleuthing inspired by a female detective she likes reading about (I'm also in a Murder, She Wrote phase, it was all a bit Jessica Fletcher, which I appreciate xD). Elsa also makes use of her ice powers.

Women sleuthing ftw 😄

+1 Another thing I liked is the subversion of traditional gender roles regarding some of the villagers' jobs, having a man be in charge of Arendelle's main laundry and a woman as one of the most capable fisherpeople 👍.


+-1 There's also some positive promotion of the benefits of recycling. However, the story, children's story as it is (it did subvert gender roles, include proactive feminist characters and talk about recycling, children *do* need to learn about these things and not the problematic obsolete ones), could also have commented on climate change because it was an integral part of the plot, but missed that opportunity.

Friday, 8 October 2021

Goodreads feminist reviews - A Warm Welcome (Frozen short story)

Book: A Warm Welcome, by Erica David.

   2.5-3/5. Abridged review for Goodreads review also here.

This review contains spoilers

 Brief summary for context, taken from Goodreads: "Olaf has news for Elsa! He has heard of a summer queen from a summer land with summer magic—someone with similar powers as Elsa’s, who can control fire and heat. He says her land is trapped in an eternal summer. Olaf thinks it sounds great, but Elsa and Anna think she might be in trouble. Either way, a journey is in order!" 

I liked this one a little bit better than All Hail the Queen, but still it was underwhelming and written in a rather bland and 2D way. Once more, rather worried that this author is gonna make me dislike Elsa, Anna and Frozen more than I would like to, because I quite like the movies and the rather deep themes they have going on :S xD Characterization could have been better in this book as well. I know this is a children's book, but I'm not asking for super elaborate writing styles or incredibly deep themes, I'm asking for better characterization and more engaging prose 😅.

There's quite a lot of female bonding ♀️👍 in the story, between Elsa and Anna, between Elsa and an Eldoran weaver woman, and between Elsa and Queen Marisol of Eldora (more on this later). It’s refreshing compared to many other children’s media and fairytales, but it’s unfortunately not enough to really save the way these stories depict other issues :S

The dynamic between Elsa and Marisol was definitely the highlight of this story.

The adventure travel plot is also a bit more engaging than the other short stories I've read in this collection so far, but it's also regrettably filled with rather cringeworthy plot points which follow typical Disney problematic conceptions about the class system, and also some ideas veering into cultural stereotypes and colonialism quite a lot 😬😕. Which we're gonna talk about lengthily now, because the time I spent reading this book I was steadily more and more frustrated about it :S xD

CLASS SYSTEM

·          The author keeps upholding the class system in a sugarcoated way typical of Disney. The narrator insists on how Elsa loves to help people (which is fine in itself) and how she is entrusted with taking care of the villagers (phrased as ‘her villagers', once, not even 'her subjects', which sounds kinda meh 🤨). Wanting to help people is all very well, but what's cringy to me in this context is how it's the typical Disney move of having the privileged rich people and especially the royals framed as super kind and benevolent, taking care of 'their' subjects and the lower classes, without addressing ot changing the imbalance of the class system as a whole at all 😕

        Like, the book begins with Elsa returning from a day full of delivering ‘supplies and gifts to her villagers’ – such as saws and ice picks to the ice gatherers, hot soup and blankets to stable boys, and 'even' books to the schoolchildren. Elsa is literally patting herself on the back saying what a good queen she is and how well she treats her people for giving them basic necessity items they should already be able to fully afford! 🙃 I find this kind of framing to be incredibly patronizing.  

      Like I commented on the previous review, there’s a focus of Elsa’s role as queen in these stories as a ‘protector of her people’, focusing on supplies and gifts, which I think is slightly more anachronistic in the framework and mindset of 19th Century monarchy. But even bearing that in mind, if it’s her freaking job in exchange for a huge palace and a life in luxury, why are we focusing so much on just how benevolent a queen she is giving soup to stable boys the one day? Why are we not thinking instead about how fucked up it is that the Queen herself has to provide basic needs such as food and blankets to the people at her literal whim, and think she's doing her daily good action of the day? Let us remember that meanwhile, all the time, she’s living in a huge castle with servants and literally every luxury she needs. The class system doesn’t budge a millimeter, no matter how many ice picks and blankets and food the royals deign to gift around on the days they’re feeling benevolent 😕

·       We've just seen Elsa give away basic needs to 'her' villagers, right, so we can assume the villagers need the Queen to do that for them at least from time to time - which gives me a very bad impression of how Arendelle's wealth distribution is working, rather than highlighting how good of a person Elsa is 😬. Well, when Elsa and Anna are afterwards leaving Arendelle to travel to Eldora, the villagers gift them meat, bread and cakes for their travels. So the villagers apparently also need to fulfil a role of providers of supplies and gifts for the royals who have everything now 🤔? Especially after that first scene where stable boys apparently need the Queen's charity to get hot soup it just seems so....wrong to see the Arendellians giving the rich royals their hard-worked for food as gifts, to be honest :S I mean, Arendellians aren't all stable boys who apparently need the Queen's charity to eat soup (that's still so fucked up), there must be successful middle class merchants, business keepers and the bourgeoisie in general as well, but we're contrasting all middle and low classes here against very rich people with a castle and lots of servants and several cratefuls of luggage, who are travelling on a whim, and who can most certainly bring and pay for their own food supplies on their travels! The villagers also have to amass at the harbour to happily send their farewells to the Queen and princess when they probably would rather be working for their daily livelihood or just minding their own business at leisure, you know, far from the whims of the royals 😐 (I really, really dislike monarchy as a system, and I guess it shows lol).

Thank you for all your meat and bread we didn't really need, now have fun working while we go on an adventure because we felt like it! LOL, peasants!

       While travelling, the ship captain assumes that of course Elsa, Anna and the rich people will be having dinner first, and then the crew who’s actually toiling away on the journey will eat. That’s all very realistic, even if unfair, but of course Disney has a way of sugarcoating just how benevolent the rich people are without changing the class system imbalance one bit. Elsa invites them to have dinner at the same time as ‘friends’, and of course the crew very gratefully accepts. Of course, it’s better when the more privileged are also more humane, but this rings very cringy and patronizing still because the statu quo per se is never challenged, not really, the royals are just feeling kind and nice that day. The class system is never challenged, and so I tend to read these moments more as a power trip for the powerful to feel benevolent and lenient. And I don't love that they're feeding this kind of discourse to children continously, to be honest 🙃

       SO MUCH ENTITLEMENT

·       Every villager, be they from Arendelle or Eldora, treats Elsa and Anna with the utmost deference as royals throughout the whole story. And it doesn’t matter that the Arendellians are visiting Eldora without having been invited or expected, or that they keep interrupting everyone while they’re working 😒 (similarly to the last story but a bit better this time, at least they aren’t destroying everything this time 😬) - Everyone seems to be happy to see them and is completely deferent to their wishes, especially after they learn that they’re royals (white supremacy is another factor here, as we’ll see). Asking for directions is one thing, but Disney royal characters seem to keep making it all about themselves (well, royals tend to do that in general, it's kind of in the job description xD), and everyone passing their way makes them their priority as well. There’s a scene which is a yes regarding female bonding, but a meh in this respect, when Elsa interrupts a female weaver who’s working on her carpets, and the weaver stops her work to teach Elsa to weave. While it's nice to see Elsa interacting with more women and be excited about learning something new, at the same time it seems like the whims of the rich and powerful always take first place. Everyone’s perfectly happy to have them there because they’re royals, no questions asked. 

Stop working, peasants, and pay attention to the royals who came to your land uninvited!

       I’m not saying keep the borders closed to everyone or not be friendly to strangers, that’s all very good and well, but then there’s the supreme entitlement of Elsa and Anna suddenly deciding on imposing on Eldora’s people, both as high class members and as white European people, and this entitlement never being minimally challenged in any way 😑. Because Elsa and Anna literally suddenly decide to make an overseas trip to another country without, I don’t know, writing to Eldora’s Queen to get an invitation or something 🤨?? The way this story reads, even if that's never directly phrased on the page, is that the combination of their social class and their North European and white status just makes them so sure they will be happily welcomed, and of course, this content always pandering to this kind of demographic, they end up being exactly right. Eldora’s queen Marisol is very happy to learn that a Northern queen suddenly made it her business to come to her castle completely uninvited. I’m not saying this can’t also send a positive message of intercultural friendship and communication, which I'm sure was an intentional aim of this story, but the fact that they feel so entitled to do so and never ever had anyone stepping in their righteous path also bugs me. Which brings us to the second part of problematic baggage -

WHITE SUPREMACY, WHITE SAVIOUR COMPLEX AND COLONIALISM

·       This is going to be messy, so let's talk about some positives first of all 😅: It's badly executed, but the story does have an intentional aim of showcasing intercultural friendship and relations, with Elsa and Anna (and especially Elsa) making friends with Eldora’s Queen Marisol. Elsa initially thinks Marisol also has magical powers (Summer powers with fire and sand storms, which do sound badass af xD) and may have difficulties in controlling them like she had. There are problematic ideas in this line of thought, as we’ll see, but this plotline also focuses on Elsa’s desires to meet other women with magical powers like her with whom she can further identify, relate to and not feel like she’s so alone and singular. It's important to see women interacting with other women in positive relationships, and express their desire to do so, so this dynamic was the highlight of the story for me.

 

·       The setting in another country, Eldora, clearly a fictional Middle Eastern country reminiscent of Disney’s Arabia (a bit of a poutpourri of influences and cultures from the north African, Middle Eastern and South Asian regions as per Disney's general representation of the Middle East :S), also helps to have poc characters and more race and ethnicity representation, which in and for itself is also always a good idea. But not all representation is good representation if it's not handled well. And unfortunately I felt a continuous cringe factor while reading this story, and I believe that these issues have been handled pretty clumsily, and are framed in a system of European white supremacy and colonialism that are never challenged or disputed 😕:

·       Like I mentioned above, Elsa and Anna hear of this kingdom of Eldora and its queen, rumoured to reign in a land of ‘eternal Summer’ and to wield powers of heat and fire. So Elsa immediately assumes, comparing it to her own personal experience, that the fact that there’s an ‘eternal Summer’ means that this Eldoran Queen also has difficulties controlling her powers, in a similar way to how Elsa unwittingly created an eternal Winter in the events of Frozen I when she still didn’t have full control of her powers because of fear and self esteem issues (one of the great topics the movies do talk about). So she assumes Queen Marisol doesn’t have full grasp of her powers either, so, naturally, she needs her help and Anna’s to save Eldora from the eternal Summer!

      This is an assumption completely devoid of factual evidence and literally based on some rumours Olaf heard in the village, but it’s enough for Elsa and Anna to ship away at once to Eldora uninvited, determined to save Eldora’s people from the uncontrolled magic of their queen 😅. And while I love the concept of strong and empowered female characters who are ready to save the day and help fellow women and people in general, I generally would prefer if they also asked beforehand before presenting themselves in another queendom, you know, or something. Because this whole portrayal just reeks of White Saviour Complex, to be honest. The fact that they did not even begin to think to write to Eldora’s queen to ask about the situation or, you know, get an invitation to visit, is just baffling. I mean, they do diplomatic bureocratic shit in the comics just fine! But no, here they just left Arendelle in the hand of Elsa’s ministers (some kind of council of state/privy council/cabinet is mentioned here at last, tho, not like in All Hail the Queen where it totally seemed like it was Elsa and no one else lol), and they let themselves be gone to foreign, distant lands because they also fancied some tourism! I understand the concept of travel fics and the thrill of adventure and getting to know new places, but the setting and the way to go about it was disrespectful and entitled 😕. Of course, this is never challenged because everyone in Eldora is baffled by their appearance there, but generally very happy to see them, especially when they discover they’re royals too, like we ranted beforehand. So their behaviour is always treated as completely legit 🙃.

I would be way more excited about explorer traveller Anna if the setting and attitudes where different, but ah well :S

             Also, these books and some of the comics are making Elsa seem like a truly incompetent – or just very entitled – monarch 😐. And that bugs me a lot because, while I'm not a fan of monarchy, we also do need positive representations of fully competenet queens and female leaders in their own right - And incompetent and stupid she is not in the movies and other extended material, either! Like, in other comics, diplomatic relations and visits between countries, European and non-European, are a thing. Missives are exchanged. Ambassadors make appearances. Various European and non-European monarchs visit Arendelle  (or Elsa and Anna visit other countries following invitations) in settings that are generally not cringy or offensive (there are a couple of exceptions which fall more in the line of this story, but we'll address those some other time :S). Those examples in the comics are more of an actual multicultural representation sending the message of open relations between countries, and it's generally nice in those respects (of course, also taking into account that the comics are still pandering to the monarchy Disney ideals and don't challenge any class system issues). But no such thing here. No letters are exchanged, no invitations issued. They just decide to go, motivated by rumours and White Saviourism.

     Another problematic aspect that bugs me to no end here is that in the comics Elsa and Anna are not so utter and completely ignorant in the face of countries that are not their own 😑. They know of other countries, have visited them, ambassadors and royals have visited them! They know of the in-universe equivalents of China, Russia, Laponia, Arabia, Italy, and a bit of Africa (but not that much info there either, which is a shame. There’s a comic story that shares more than one problematic trait with this one and which I will tackle another day 😬). However, here they have absolutely no clue about anything, they only rely on what is being rumoured in the village to know something of Eldora, and they only find out where Eldora is perusing a dusty obsolete and inaccurate atlas in the castle’s library (they incidentally do the exact same thing in the comic story about their interactions with an African queen who comes to visit 😬). 

     Obviously Internet wasn't a thing in the 19th Century, but the Stone Ages it was not either, come on, people travelled the world amply and even with the prejudices and misinformations courtesy of colonialism and racism, people in charge generally tended to know a bit more about geography and how freaking climates worked. Because she is queen and must make it her business to deal with diplomatic relations from time to time, I simply refuse to believe Queen Elsa is ignorant of where the Middle Eastern countries lie, even if she doesn't know a while deal about them, and the fact that the weather and climate there are different to those of Arendelle, come on. Then again, it's regrettably true that some current day Western countries - you might know which one I mean especially 😅- are also woefully ignorant about countries and continents that are not their own and their geography education is bafflingly minimal, but I do expect more from a queen who is actually shown interacting with diplomatic issues and ambassadors often in the comics :S xD.

      Be it as it may, this kind of setting makes Elsa (and Anna) look incompetent af as rulers, and it also normalizes the (unfortunately also historically true, and still going on) idea that white people are both clueless about other countries, feeding off very basic and often offensive stereotypes and rumours, and also perfectly entitled to visit them on their own terms. Which promotes the general system of white supremacy in imperialism and colonialism, even if the initial intention was to make a story about multicultural friendship 😕. Why are Elsa and Anna so clueless, ignorant and entitled? They really weren’t this dumb and this obnoxious in the movies, even though all these systems of monarchy and white privilege remain mostly unchallenged in more than one Frozen story (Frozen 2, however, which incidentally is also my favourite Frozen story to date, did endeavour to address the topic of colonialism in a way that was central to the plot of the story, and also added more racial diversity in Arendelle, and I really liked that). 

     Eldora is described as a rather generic Aladdin’s Arabia, with men in turbans, carpet makers, sandstorms,  and so on. While this is a legitimate problem in and for itself that stems in Orientalism (and it's perfectly valid to be offended by it), I would venture to say that at least Eldora and the Eldorans are treated reasonably...fine, except for the fact that well, the European visitors rely on stereotypes and rumours to try to understand this country and its people, and except for the fact that all Eldorans are there to suit the plots of the Arendellians, of course. OK, so maybe I'm setting the bar of 'it's reasonably fine' to 'poc characters are not directly called racist slurs to their face', 'poc characters are not demonized or described negatively (but they fawn over the European impromptu visitors all the same)' and 'white characters are supremely entitled but at least everyone is civil with each other and seems happy to be there' 😬. So it’s a mixed bag, veering towards the meh. We’ve got poc representation, yes, but we also have a story where the poc country is generic Middle Eastern with no depth and all its inhabitants exist to further the plot of the white Scandinavians. Again, I guess that not all representation is always grear representation even if it's not the kind of overt offensive representation we may be more accustomed to challenging. 

        Eldora’s queen, who is bafflingly called MARISOL (I get the Sun reference, but what kind of a Middle-Eastern sounding name is that 🤨?? Other Eldoran villagers at least have vaguely Middle-Eastern sounding names), does get a positive characterization, and it's also positive representation that we get another ruling queen in her own right, interacting with other female characters. Elsa and Marisol’s dynamic and budding friendship is one of the things I liked the most about this story, and because Elsa is also heavily queer-coded by many fans, Elsa and Marisol are also being actively shipped by some in the fandom, as well as showcasing their friendship. Now I’ve read the book I even recall a Tumblr post with some extracts the parts focusing on Elsa thinking about how Marisol would be, describing her and her name as beautiful, and generally queer coding their relationship. There are also several fanarts of them:

Elsa x Marisol fanart by Elphabart on Tumblr
 

Source and artist

Source and artist

      So yes, thankfully there are also some positive parts in this book as well 😅, regarding  representation in the LGBT+, female bonding and female empowerment areas. These are all great, and that’s where the 3 in my rating mainly does come from. But that doesn’t mean there aren’t more negative factors at play as well, as we have just seen, and that's also why we're going to keep talking about those a little bit more, because unfortunately in this case those factors do dominate the story.

·       Elsa and Marisol have a nice rapport, definitely one of friendship, and easily a queer coded one as well, but she still takes second place in her own country in a story that's (not unexpectedly, it's a Frozen story, after all) focused on white-blond-haired Elsa and her ice powers, powers which she wields during the feast organized in her honour to wow all Eldorans. Marisol also bafflingly and hilariously asks Elsa for ice to store their fish in a country where we have already seen that ice melts rapidly (never mind how on earth they're expecting that the ice blocks would arrive in solid icy condition from Arendelle to Eldora in the first place lol 🤣), so that's freaking stupid (Marisol is supposed to be a competent queen as well, but apparently we doesn't know how climate works either 😬). But the idea is that a trade and new friendship forms from their impromptu visit, which is nice, I guess. 

      Then again, there’s also the fact that the Arendellians are convinced that Eldorans, who are accustomed to live in a hot desert climate which makes it warm pretty much all year round (in the daytime at least), also need the cold and snow to feel well in their daily lives 🥶. Which is another show of entitlement and self-centered double standards, the last one we're discussing here 😅 -

·       Arendellians love the cold because they come from a Northern country so they're accustomed to it, but Eldorans can’t be OK with the heat, apparently: White Saviour complex and double standards ensue. Because the Arendellians think that liking the cold is how everyone should be (I'm most certainly not 🥶 xD). Arendellians are literally obsessed in this story about bringing the cold and the oh-so-soothing snow to the Eldorans, who literally live in a hot desert climate, and are also - gasp - accustomed to that. The double standard? Arendellians are also very uncomfortable with the heat because they aren’t accustomed to it, and long to see snow and return to Arendelle! Which OK, it's understandable, but what’s not understandable is their White Saviour obsession with bringing their own climate to other peoples who have a different climate, because it’s unthinkable that they would be OK with this level of heat because they aren't! They literally think they have to save the Eldorans from the heat, and how freaking entitled and ignorant is that? As part of the feast Queen Marisol dedicated to Elsa, there had to be a scene where Elsa creates a skating ring out of the festive dinner hall and snow to fall from the ceiling, and everyone was conveniently hyped and happy to experience the cold and the snow, because that's apparently what they were craving all along, and ah well 🤪.

     Also, people in lower latitude hotter climates don't need ice to keep their fish from becoming stale either, what the hell, they use other methods like salting it! (which reminds me about how shooketh many USA Americans are when they learn that we one traditional way we keep ham from going bad in Spain is by salting it, and I've come across people who thought we were eating jamón serrano raw because it's not 'cooked' the way they would go about it lol 🙄 🤣).

'We must save the brown people from these unnatural sandstorms!' (but snowstorms are totes normal in their mind, no need to save Arendellians from those unless you unleash an eternal Winter without meaning to xD)

·            So yeah, Elsa and Anna are not only completely clueless about other countries and cultures in this story, they’re also completely dumb about how climate works. And I fail to understand why, oh why, these books are trying so hard to make Elsa and Anna to look so utterly stupid about some things. Didn’t they teach them how climate works back in Arendelle, minimally? Basic geography a queen should know? They must have! But no, Elsa and Anna literally thought that they had to save the Middle Eastern Eldorans from the heat, thinking that they lived in a magically induced eternal Summer just because they didn't have snow and ice there! And the plot twist of this story is literally the fact that no, that is HOW THEIR NORMAL CLIMATE IS, and Marisol has no magical powers at all 🙄🤪! It would be funny, but it also speaks volumes about the entitlement and ignorance of white supremacy, so it isn't relly. And I still think it would have been way cooler to have a magical Middles Eastern queen wielding fire and creating sandstorms, better than 'Elsa and Anna don't know how climate works' as the 'funny' plot twist for this story, but maybe that's me.

I really don’t get why we still have to dumb things down for children and why we have to make them read about frankly problematic issues such as sugarcoated sexism, racism, colonialism, classism, heteronormativity or what have you – issues that they later have to unlearn, if they even do so. In Frozen we did get quite a lot of female bonding, strong feminist themes, and several well-treated themes in the movies as well, so that’s great, but children (and adults) would still be getting loads of problematic messages about the class system and white surpremacy reading ‘harmless’ short stories like these.

And even though the class and white supremacy systems are still there in the movies, the plots and characters are much better constructed and there are imo a lot of very interesting and subversive topics and symbolism to discuss both in Frozen 1 and 2 (like mental health, self-esteem, identity and acceptance as the lead female protagonist's main arc, and a discussion of colonialism). I also do believe that, while Elsa and Anna are white European royals with all the privileges that entails, and we should still bear that in mind, there are way more intelligent, less obnoxious and more conscious to several matters than the impression their overall characterization in these books and the comics often gives 😬. So I’ll be definitely tackling in other posts topics talking about why I also do love Frozen and why I love the characters of Anna and especially Elsa.  But alas, I’m afraid this book series is not a place where I can happily hype about all the things I love about Elsa, Anna and Frozen 😅. And these discussions are also important to have.

 Till the next time!

Friday, 3 September 2021

Women in Warhammer Fantasy - Depiction of High Elf mages

 
Various depictions and designs of female High Elf mages: Age of Reckoning art concept and playable character, miniature, and an official illustration of mage Aurelion (©Games Workshop)

I'm always ready to rant about how there are so few miniatures of female High Elves in the Warhammer Fantasy range 😕, especially considering the representation got better (if not ideal) with  book characters and the art concepts and playable characters in online games and videogames like Age of Reckoning and Total War. In both of these media we do get more female mages and archmages, Sword Masters of Hoeth (or Mistresses, rather xD), captains and paladins, and so on. In more than one book most of these women are little more than mentions, though, which is still more representation than we get in other media, but still lacking. In other cases, however, we do get primary and secondary characters, as well as playable characters in the games, who are women mages, warriors, loremistresses and artisans 👍. It's not parity in representation by any means, but it's still a way better representation than what we ended up getting in more than one miniature range.

The Sisters of Avelorn, guards and handmaidens of the Everqueen and basically the only female unit (or unit with women, there are not mixed ones) the High Elf Warhammer Fantasy range offered.

But even the brief book mentions of High Elf women doing stuff á la Tyrion and Teclis series are still better that what we got in the miniature range. All infantry and cavalry are male. All special units except for the Sisters of Avelorn and the Handmaidens of the Everqueen, her personal all-female bodyguard, are male. The Everqueen Alarielle might be the only named female character the range has, in comparison to a handful of named male heroes, captains and paladins woth backstories in the High Elf lore. And then there's a lone female mage in the 2000s range, accompanied by at least six male mages. And I think that might be it for the whole High Elf Warhammer Fantasy range. And you know what's even better? I have two High Elf rulebooks, which include a whole section full of painted miniatures on display for each range. Well, none of them include any of the very few female High Elf miniatures, not even the Everqueen! Not even as illustrations! 😐🤨Which is quite telling, to be honest.

Seeing as the origin of this post came from having just read the short story Dragonmage (review here), which features a female mage, I will be talking about this lone female mage miniature today, and about the general depiction of female mages in the High Elf Warhammer Fantasy media ✨. But never you worry (in case you were xD), I'll also be tackling the representation of women in Warhammer, High Elven or otherwise, in other posts as well!

Back to the general discussion before that, though xD

I remember asking a question at a Q&A with some official Games Workshop (male) folks at a Warhammer convention back in 2011, about the reason why we weren't getting more female miniatures paired with the appearance of more female representation in the videogame media, in ranges such as the High Elves and others. The response I got was quite literally a carelessly dismissive 'We haven't really thought about the interest or need for it, so it's not anything we're planning at the moment' 😑🙃. The only thing they could have added to make it even better is something like 'But you already have like two female miniatures to choose from, I fail to see where the problem is!' Which was sort of inferred anyway, if you ask me 🤪.

 The utter lack of interest Warhammer Fantasy had to translate the (not stellar either) new representation female High Elves were getting in the rest of the Warhammer media to the actual miniature world, which is the backbone of this hobby after all, speaks volumes (but it isn't new to see that we often get more representation in the expanded universe of a fandom rather than the main medium, though). As is often the case in the geeky world, but most especially in the strategy battle games and other gaming hobbies, ➡️the scarcity of playable female miniatures (big bonus if they're designed in a non-sexualized and practical way) and its apparent low demand in the High Elf range and in others (as opposed to the highly sexualized 'warrior women' in the Dark Elf range heh) keeps on normalizing the male-dominated aspect of the Warhammer lore and the Warhammer hobbyists⬅️. 

In many areas of the media and also in the patriarchal discourse of real life, women are already seen as the Special and the Other. To frame women who are intelligent, courageous and capable, warriors, rulers or explorers, as an 'exceptional minority' rather than something all women are capable of depending on their own individual capabilities, aspirations and inclinarions is nothing more than a calculated piece of misinformation in order to maintain the control of the set of gender roles and stereotypes which are the foundations of the patriarchal statu quo. This statu quo must be always upholded and maintained, so apparently it's not that all women have different inclinations and capabilities, or that all women should enjoy the exact same rights as the ones privileged by a patriarchal society (men) to choose whatever they want to do. No, it's that most women are allegedly happy to conform to their set of gender roles in life (biological determinism at work), and then there are some "exceptional women", an exceptional minority that of course has *nothing* to do with men forbidding women to minimally deviate from their set place in the first place. These women are then sometimes 'allowed' by the system to choose a different path, a more proactive ""masculine"" one, and bonus points if their individual emancipation and empowerment suits the goals of the system by making these Exceptional Women work in its benefit, at the service of men and imperialist, monarchical patriarchies (we see this in the figure of Mulan, for example, which is a reason why I don't stan the character so much as I used to do in my childhood and early teens :S - but that is a whole separate post xD). 

Thus, in the militaristic, epic context of the worlds of Warhammer, a male-dominated hobby (with a hell of a lot of incels as its followers and probably creators, by the way, which doesn't help matters), the women that we end up getting are just like that - A lone female ruler or an all-women elite unit who more often than not serve an imperialist, patriarchal system rather than the emancipation of women as a whole or even their own (such as the personal bodyguards and handmaidens of Odin, the Valkyries, or the Greek goddess Athena, who is more often that not and very frustratingly at the service of her misogynistic father Zeus). And so, in the High Elf range we also get the lone magical Queen with her special and exceptional female guard (we will talk about them in another post, they're still pretty awesome), and the lone female mage surrounded by male peers, and why would we need to have any more when we already have a couple of women in the range?? How greedy female Warhammer hobbyists are, wanting more 🙄. 

 These women are still representation, and often awesome in their own right, but apart from the fact that we deserve *more*, they also reinforce this idea that these women are here at all because they're the Exceptional, the Other, or the Afterthought (a couple are more than enough!), and either the Special Unit, and often just one per range if any (mixed units are a rare sight in all Warhammer ranges), or the Token Strong Woman surrounded by male peers and isolated from the rest of her gender. That being said, I do love the concept of a female ruler with an all-female personal bodyguard because that sounds like there's a lot more subversion, sorority and feminism going on compared to a rightfully awesome female unit, but at the service of the patriarchal ruler dude or system of your choice. So yeah, I'm totally dedicating a separate post for the Everqueen and her Guard, like I said.

Alarielle the Everqueen (©Games Workshop)

I remember planning a High Elven army in my mid-to-late teenage years and juggling my rising frustration at this fact - well, I wanted some female foot soldiers in a mixed unit, at least, was that so much to ask? - with the hopeful possibility of converting male units with female torsos and faces from the Dark Elf range. This range mainly offers hypersexualization but also some female foot soldiers as well with actual armour (woah), contrasting with the all-male High Elven units (there's also boob plate going on, of course, but that was a given. Honestly, I was totally happy about that, at least I was getting some women in armour and that was saying something here 😅).   This project, of course, would have meant not only the bonus conversion time - which is a great part of the hobby if you like it, but men generally don't have to actually convert and/or sculpt miniatures themselves to get representation of their gender in vast quantities, you know -, but also double the price (at least) of having to get both an all-male High Elven unit and a mixed Dark Elf unit with more men than women anyway (I also find it pretty interesting that the Dark Elf range include women among the foot soldier miniatures, but all High Elven foot soldiers and cavalry are male. And the High Elves are supposed to be the 'good guys' in contrast to their dark cousins, so). And this was before we actually got the Sisters of Avelorn as female High Elf miniatures who were also not hypersexualized (so now I suppose the conversion would use multiple sets of those to create more women in other units , but the main problem still remains).  

  This is a project that ended up in the backburner because it meant a lot of time I didn't have, it was difficult to keep up with my daily (mostly male) painting as it was, but it's a good way to illustrate an example of what can happen if you wanted to play battles with your favourite Warhammer range as a woman hobbyist with a bit of representation of your actual gender, even if you were also OK (because that's the material you had) with painting and playing with 99.9% of male miniatures. You have to create those female miniatures yourself going to other ranges and another brands, even, and look for the already scarce female representation the Warhammer market offered you. This is still  completely normalized in many geeky areas. And when we asked why things were that way we got the dismissive afterthought of 'well, there's no need or interest for more female miniatures (or women in the hobby, really)'. The usual cycle of 'there's no demand so we don't make it' but when you ask for it and express actual interest for it, you get told they don't make it, so that's it, don't ask for it. And then the end result is the apparent 'there's no demand for it anyway'. Yay 😑.

Then there's another problem that joins and worsens the fact that the female representation in all Warhammer Fantasy miniature ranges is minimal - ➡️The fact that the small handful of existing female miniatures are more often than not riddled with hypersexualization, unrealistic female armour and double standards when it comes to the depiction of the same kind of character depending on whether it's male or female. This, of course, is another sign of the male-dominated aspect of this hobby, where the lone female miniatures are mainly there to appeal to the male gaze and the male fantasies⬅️. Warhammer playable female characters are hardly there to appeal to the female audience to want to see some representation or badass women, after all. That's why the most popular female miniatures and characters in Warhammer Fantasy are arguably the highly sexualized Dark Elves, from the enchantresses in navel-deep decolletages to the voluptuous (and sensually savage *sigh*) bikini-clad Witch-Elves (more about this at some other time as well, because wow am I salty about all the hypersexualization and sexist tropes in Warhammer) 😤.

But the Dark Elf range is not the only one with this kind of pattern. The lone Dwarf Queen with an (old edition) miniature has huge boob plate going on. Bretonnian damsels (enchantresses) go to the battlefield clad in extremely tight gowns with multiple tight belts they don't even need except for cinching their bodies even more, and huge cleavages that are not at all suspicious of male gaze. Female vampires (Lahmians) follow the corseted, thigh-high high-heel booted aesthetic to a T.  There is this Kislevite (basically Russian) ranger who travels through the tundra bare armed and shirt-free, with a corset so tight and a cleavage so large her nipples are practially showing - because that makes all the sense in the world, right, to travel the tundra like that, as a ranger?! 😑😵 Amazonian warriors from the jungle? More loincloths, of course, and this time we can even justify the not-at-all sus choice of attire on the weather! And so on and forth. At this point I think it's understandable to see a reasonably protected and practically non-sexualized Dark Elf foot soldier with a breastplate which also has some boob plate going on and well, be fucking elated. Even if as a rule I would say that boob plate is unnecessary as well, but you know, we get what we can get 😬 xD

Male gaze? WHAT MALE GAZE?? Yup, totally realistic and practical and empowered. THIS is usually what female Warhammer hobbyists have to work with. And we have to like it because that's the sign of the truly empowered geek girl, apparently.



Boob plate is not ideal and stuff, but at least these Dark Elf female soldiers are actually wearing full armour! I mean, YAY, FINALLY!

 And yes, we do have *some* (keyword, not many) female miniatures in realistic attire out there as well (some ranges such as the Wood Elves offer a better gender parity as well, albeit not totally free of sexualization either), but pairing the hypersexualization with the fact that women are hardly to be found in the ranges in the first place, we might quite literally count with the fingers of one hand the number of reasonably portrayed female miniatures we can get in each range. And sometimes that's being optimistic, as some ranges have no female representation *at all*, both in Warhammer Fantasy and Warhammer 40,000. A lone female character or two, or a special female unit, is often the best the ranges can do 😕.

So, after this (lengthy xD) intro - What happens in the High Elf range with the mage miniatures, and how are women portrayed there? And what about their portrayal in the videogames and online role-playing games, where we do get a bit more representation in that respect?

Several male mages alongside the sole lone female mage in the centre (Source)

Well, even though the minimal amount of women in the High Elf range are far less sexualized than in other ranges (Dark Elves *cough cough*), and that compared to what I've just reviewed we could say they're pretty decent depictions and designs, all in all, there's still ye olde double standards regarding the topic of gender versus clothing designs in some respects ⬇️.

The one and only female mage in the High Elven miniature range, to my knowledge (©Games Workshop)

Starting with the miniature range, Games Workshop has considerately cut my work very short because there's just one (1) miniature of a female mage to review (le sigh 😬). And yes, compared to other female miniatures in the Warhammer Fantasy ranges this mage is kinda great, I mean, in and for itself the miniature isn't super *hyper*sexualized in her attire and her pose is adequately badass (which doesn't mean she is still depicted with gendered differences in her design, as we'll see), and I would definitely have bought her for my High Elven army (not that I had a lot of choice of female representation anyway lol).

However, and especially if we compare her to how the male mages are portrayed in their respective miniature designs, we do see some gendered double standards and sexualization 👎, albeit less blatant than in other cases, of course, but still very much there, a continuation of the same problem. The most evident for me is that this female mage wears her wide belt pretty much as an underbust corset or cincher, accentuating her waist and cleavage, and she's also the only one who wears robes (hers is more of a tunic or dress, really) with a low neckline and bare arms. So even if she's not hypersexualized compared to other female miniatures in the Warhammer Fantasy range (she also wears flat boots, which is a definite yay 👍!), her attire is still pretty form fitting to reflect that well, she's a (sexy) woman, I guess 🤷‍♀️.

These differences look more evident if we compare her design to those of the male mages in the range (see below for some examples). The male High Elf mages and archmages are generally clad in more elaborate layered robes and cloaks compared to the more simple sleeveless dress with an unfastened cloak the female mage is wearing. Apart from the fact that I think this look is way more epic and regal for a fantasy mage, and I'm kinda disappointed they didn't give us female mage miniatures also wearing elaborate layered robes, the male mages' clothes are way less form fitting as well, making it evidently clear that in their case what is important is that they look epic, regal, arcane and magical, not sexy (as in, 'in form fitting clothes that focus on their physical attractiveness'). Compared to them, the lone female mage is wearing quite form-fitting garments which are arguably the less elaborate, adorned, layered and protective of the lot as well. Which kinda sounds like the main focus of her design was deviating slightly from the one of making her appear like a badass mage (surprise) 😬.


Male High Elven mages (©Games Workshop)    

Regarding what I said about the female mage's belt design ressembling an underbust corset more than anything else, we do see some variety with the belt designs the male mages wear as well, and it's true that some of them also wear this kind of wider belt in the same shape. But I stand with what I said because in their case it isn't paired with a more form fitting tunic and/or a lower neckline, and so the effect isn't that of particularly sexualizing the character, nor does it particularly act as a cincher in their case, as it certainly does in more than one of the female designs (more on that below). In the case of the female mage's design for the miniature it has been pretty intentional to emphasize her attractiveness in this way. Like I also said before, her tunic is also the only one to be sleeveless among all the High Elf mage designs (male mages always wear long sleeves, either fitted, long, layered or puffy), and the only one to have a lower neckline, which in an for itself wouldn't be such an issue as it can also easily fit the aesthetic of a fantasy mage, especially (and we'll talk about this more below as well) if it isn't in a battle context. But apart from the fact that it's the only female design we got in the miniature range, there's the fact that the male mages don't wear sleeveless robes or low necklines in any case, so of course, it's a gendered differentiation as well.

More male mages (©Games Workshop)

 

Also, the regalia and decoration the male mages carry are often more elaborate and abundant, as well as their magical artifacts - The woman basically carries a pouch and wields a simple staff, while the male mages carry a variety of more elaborate staffs (the fact that we do have male archmages and not female ones counts as well), books, orbs, and weapons. And of course, the fact that we have way more male mages than female ones means that we get more variety with them as well - We have mounted mages, levitating ones, in battle stances, mages with helmets and crowns, with weapons and without. The pose the female mage got is pretty great as well, standing on an elemental orb and pointing her staff in an spell casting stance, but that's the thing, we only got one design, one pose, because there's only one miniature. If we got more female miniatures wearing more elaborate robes and regalia as well as this one, the differences of course would have been way less blatant. I mean, there's some irony in making a post about the designs of female miniatures and then showing more examples of male portrayals than female ones 🙄 xD

Art concept for the female mage miniature (©Games Workshop)

And finally, the way the female mage carries her cloak unfastened over her arm, paired with the lighter tunic, also makes her whole design not only less elaborate and regal, but flimsier and less protective as well, way less battle ready than many of her male counterparts. Because let's also remember that High Elf mages may dwell and lounge in their Saphery tower being loremasters and loremistresses in their lavishy decorated chambers, but they are often battle mages as well, certainly in the specific setting of the miniature battle games. All the male mages are portrayed in a way that they look like fantasy mages in all their elaborate magical regalia (which granted, wearing encumbering layered robes and cloaks isn't the most realistically practical thing ever, but that's the thing with mages xD), but way more battle ready as well. Many of them wear helmets and/or weapons, and they wear vambraces and more armour elements as well, while the female attire in the miniature version is more centred on her attractiveness and so much less battle ready. Which is another blatantly gendered thing just because 😕.

 I mean, like I said I don't completely hate the design they went with in and for itself, but especially setting her side to side with the rest of her male counterparts and taking the battle context into account, I'd much rather see her with vambraces, a more layered robe, a fastened cloak and maybe a sword or dagger at her belt (enchanted weapons or normal weapons aren't necessary, though, as many mages only use magic and artifacts such as staffs to wield it in battle). But it seems that isn't 'feminine' or 'sexy' enough for the Warhammer hobbyists and designers, apparently 🙄.

Art concepts for male mages for miniature designs (left and right), and the Age of Reckoning game (center) (©Games Workshop)

 And what about the official art and the design art concepts for videogames and online games? In these cases the scenario improves somewhat, as we finally get more layering and more elaborate outfits for the female designs, and also a bit more variety of designs for female mages. However, the same problem remains in that male designs, characters and art are still prevalent, and also in the fact that sexualization and gendered design choices is still present in some of the designs in the same ways discussed with the miniature range.

Games Workshop is also letting me end the official art section quickly because to my knowledge there's not a single piece of art depicting female High Elf mages in the official miniature rulebooks (like I said at the beginning of this post, the scarce number of female miniatures don't even feature either). There's one piece of, to my knowledge, official art of a female mage in the Warhammer Fantasy Wiki, though, a depiction of Aurelion, a named High Elf mage princess of Saphery. Her design is  more elaborate than that of the miniature we discussed above, and she's also depicted more like a battle mage, with what looks like a ceremonial magical battle crown, some vambraces, a pauldron (just the one xD), and a sword at her belt. Similarly to the miniature, she wears flat boots (yay), and a simpler tunic rather than more layered robes, but with longer sleeves and her cloak fastened (yay, lol). However, she also follows some of the same gendered design choices already discussed, as her attire also focuses on the wide underbust belt, the lighter tunic, the bare arms (uncommon or nonexistent with male designs), and so on. And that wide metallic underbust cincher/breastplate? Looks pretty uncomfortable, not to mention that the design leaves her chest fully unprotected, which sounds pretty stupid in a battle setting (something that also happened to the baffling design of Sif's 'breastplate' in MCU's Thor I). If you're wearing a more encumbering piece of metal around your midsection and not just a belt, at least make sure it protects everything, but not, men said emphasize the (unprotected) chest and cinch the waist, I guess 🙄. At least it's segmentated? Sigh.

Aurelion, a high mage (©Games Workshop)

 Then we have some art concepts and designs for female mages in Age of Reckoning (a multiplayer online role-playing game) and the videogame Total War. The main art concept of a female mage for Age of Reckoning is one of my favourite portrayals, aesthetically, and maybe also specifically because we finally don't have an underbust cincher or metallic breastplate thingie going on 😅. I like how they went for a more layered look with the underdress and the overrobe (finally also a design which doesn't leave the arms bare and doesn't have a low boat neckline, good to have some variety xD), paired with vambraces, pauldrons and, again (yay), flat heeled boots. I'm missing some more regalia action, but all in all it's a design I quite like, and so far it's the least sexualized of them all as well.

Concept art of a High Elven female mage (©Games Workshop, Age of Reckoning)

 Of course, while I love this design, once again, if we look at some Age of Reckoning designs for male mages we see that they continue to be clad in more elaborate robes and are more bedecked in epic regalia (Teclis the archmage and high loremaster of Hoeth is the prime example of this, pairing elaborate robes with full-on ceremonial battle armour). Also, of course, they're completely devoid of any sexualization once again.

Concept art for male High Elven mages (©Games Workshop, Age of Reckoning) 

  And for those who may think that the reason why female mages wear less elaborate robes and armour is because they're less strong or whatever, let's remember that 1) High Elves as a whole species can look misleadingly 'frail and slender' to other races but are actually really strong, and 2) Teclis the archmage, who wears ceremonial armour into battle and a very heavy battle crown and staff, was born with a lot of health problems which made him particularly frail among his Elven kind, and he has to drink potions daily and use magic to maintain his health and mobility (which in my opinion is also rather good representation on how disabled people can be incredibly badass and have agency 👍, but that's also a whole separate post). So if Teclis happens to be one of the mages to wear one of the heaviest armour looks in all the High Elf mage designs, female mages certanly can as well.

Concept art for Archmage Teclis (©Games Workshop)

 When talking about the miniature designs especially I was saying that I wish we saw more female mages and archmages dressed like the male mages in more elaborate get-ups with layered robes and regalia and son on, and it seems like Age of Reckoning does deliver more in that respect when it comes to the playable characters. In the player guide we see the standard design for the female archmage in her simplest version of an undertunic and overrobe, and, in the background, bedecked in full battle regalia in a way that's pretty similar to the male designs (including layered robes with a high neckline and long sleeves, pauldrons, vambraces, a helmet, and flat boots). Similarly to the art concept, this version also ditches the underbust cincher in favour of a regular belt (yay 👏)

And even though the proportions are still a bit exaggerated to follow the canonical thin but curvy hourglass body type videogame female characters (and all High Elves) are more often than not limited to, the playable models don't look oversexualized to the extent many female videogame characters do either, so overall I'm pretty happy with these designs, and I really wish we could have gotten them in the miniature range as well.

Player Guide showing the High Elf female options for Age of Reckoning  (©Games Workshop) (Source)

Now, this is a look I would have loved to see in a miniature 👏

We get more battle mages in regalia looks going on more with the art designs and final videogame playable characters from the videogame Total War. First we have the main design for the female mages, which is more similar to the depiction of Aurelion, and here we also get more layering (and the quintessential fantasy high collars finally make an appearance for the female mages!), more ornamentation, more armour elements, and also (yay) underpants and flat boots once again (I'm so happy they went with flat boots for each and every design, kudos for that). But once again they go back to the underbust cincher which, paired with the already pretty sexualized videogame body proportions (way more blatant and hypersexualized than in the case of Age of Reckoning, unfortunately)...well, it isn't my fave concept 😕. 

Because it really makes no sense, apart from the sexualization aspect of it, to have a warrior or battle mage wear an underbust cincher or corset. It isn't a functional breastplate and it isn't just a belt to hang stuff from. It may provide with more protection than wearing nothing, true, but it can also restrict the wearer's mobility just because, and all in all, well, it's just there for the sake of making her body look nice and hourglassy, let's be real. It's just a design geared for the male gaze, and it gets repeated again and again in the designs for fantasy warrior women, and ugh, pet peeve 😩.

Concept of a female mage (©Games Workshop, Total War)

The underbust belt-corset is even more glaring if we compare her design to Teclis at the front sigh. We do have more layering in these designs, though, that's nice (©Games Workshop, Total War)

It's a truth unversally acknowledged that you can't cast spells if you're a woman unless you go to the battle looking snatched in a very cinched underbust corset 🙄 (©Games Workshop, Total War)

And finally, Total War 2 has a design for female archmages as well, and freaking finally, we get another design (after the archmage design of Age of Reckoning) in full armour and an elaborate get-up more similar to Teclis and other male archmages, which additionally doesn't include boob plate (yay) 🙌! The underbust element isn't quite gone, though, but in this case, paired with the non-sexualized chest armour, it's easier to see it more like a wide belt, like some of the male mages also wear, and less as an underbust cincher for the sake of making her waist look super snatched (a priority, as we know, for the battlefield). The fact that the final rendering of the character for at least some screenshots I've come across doesn't hypersexualize her body and over-emphasize her waist so much 👍 - like the main mage designs did - also helps a lot to see it that way. Alongside the Age of Reckoning art concept and final archmage design, this archmage design from Total War 2 is definitely my favourite (and objectively the least sexualized, which for me goes side by side).

Concept of a female archmage (©Games Workshop, Total War) 

This is the other design closest to the ones male (arch)mages are allowed to have, and what a missed chance not to have designed miniatures like that, tbh (screenshot from Total War 2)

So, in conclusion, I'd say that the designs and poses of female mages and archmages in the High Elf range are generally fairly decent and sometimes pretty cool, and especially in comparison to the hypersexualized designs Warhammer Fantasy often creates for its female characters. Some designs, such as the archmage concepts from Warhammer Online: Age of Reckoning and Warhammer Total War 2 scream fantasy battle mage, and are virtually non-sexualized and very similar to the male mage designs 👌. In other cases, however, such as in the actual miniature range, there are some gendered choices going on compared to the design of male mages: Female designs include bare arms, low necklines and more figure hugging clothing paired with underbust cinchers, and/or less armour and a less battle-ready portrayal. Meanwhile, male designs in the miniature media (and all media, really) are always non-sexualized and more elaborate, with less form-fitting layered robes, covered arms with various sleeve designs, high necklines, no cinchers (even when wearing wide belts the result is never sexualized), more regalia, and a more battle-ready attire with vambraces, pauldrons and/or weapons.  ➡️These gendered differences are clearly there to prioritize the woman's attractiveness over protection and practicality from a male gaze point of view, and while in this case the end result isn't as offensive or blatant as in other ranges, the intention and mindset behind those design choices are still very much there⬅️.

The additional representation and sometimes pretty great designs the videogames and online games offered are a positive addition for sure, and online games such as Age of Reckoning are still active at the moment, but like I started this post ranting about, regarding the miniature range I would have definitely loved to see 1) more than one female mage miniature, because we got just one woman vs a lot of men, and 2) Women dressed exactly like the male mages, because it looks epic and we deserve nice things too. And now that the Warhammer Fantasy miniature range is a thing of the past (it has been discontinued from some time and rebooted into Warhammer: Age of Sigmar, which I'm not very much into and don't know much about anyway, but in my quick searches I haven't found practically any 'Aelf' female characters either), I guess that we shall see if the new range will change this issue at some point in any of its ranges.